Christophe Casamassima
the silly word in exile
it says in the dictionary
the whole process is a lie
his lines the variable pitch
that craved no sound and the rain
you will not easily get rid of it
becomes a river in the mind
the shore / exploded away, constructively
such decay, such decay of the senses
no rose is sure
and you wonder how many flowers have fallen
in their veils veiling
the eternally unready
even if it were January or Zukofsky
moral concepts both, curiously linked
the poem that lifts the dish
half asleep with a mind
Stars blow holes in the apostrophes.
the spaces where we take leave of each other.
alphabets. The indentation of this moment
the water walking
what tradition but palimpsest
my desk is my church
is true maybe I will be death
Maybe all dressed up for burial, and then I should
become body, the body moves.
while I’m writing, no more Writing.
for words to echo the acts described; or try to. Except very directly
back of the palms drawn to kidneys, kidneys aloof a wrack of voices: “the who?”
that’s—no fault of mine, man that various field.
a man. How he could burrow, be swallowed. and says, “There is something I must tell you!”
stretching past erased islands
war and light the same
where saddles keep their know it goes on your new underneath
and winds follow that crack and bend without breaking
ere the volcano before comparison, anyway? “I think we may have met before.
and “beyond the boundaries of light” Another night. The grass
This gift, this which is the alighting
the remembrance of past joys.
my hands and the illusion of falling